Follow us. Editor's Choice. Tweets by GramophoneMag. Digital Edition. Digital Archive. Gramophone's expert reviews easier than ever before.

Whether you want to see what we think of today's latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

Gramophone products and those of specially selected partners from the world of music. Home Composers Artists Features Blogs. The Edison company took some care with its piano recordings but used an unusual make, the Lauter, made in Newark; Rachmaninoff recorded on a Lauter concert grand, one of the few the company made.

Rachmaninoff believed his own performances to be variable in quality and requested that he be allowed to approve any recordings for commercial release. Edison agreed but still issued multiple takes, a very unusual practice which was routine at Edison, where strict company policy demanded three good takes of each selection to mitigate the effects of production wear and provide redundancy in case of damage to a metal master; in practice, this meant to the staff that takes passed for issue were interchangeable, but it was also very wearing on artists who often had to record an item several times over to produce each of those three problem-free takes.

Edison's staff and Rachmaninoff were pleased with the released discs and wanted to record more, but Thomas Edison refused to engage the pianist for further work, saying the ten sides were sufficient for label prestige purposes.

The company was pleased to comply with Rachmaninoff's restrictions, and proudly advertised him as one of their prominent recording artists.

His recordings for Victor continued until , when the American Federation of Musicians imposed a recording ban on their members.

Particularly renowned are his renditions of Schumann's Carnaval and Chopin's Funeral March Sonata , along with many shorter pieces.

He recorded all four of his piano concertos with the Philadelphia Orchestra , including two versions of the second concerto with Leopold Stokowski conducting an acoustical recording in and an electrical remake in , and the world premiere recording of the Rhapsody on a Theme of Paganini , soon after the first performance with the Philadelphians under Stokowski.

The first, third, and fourth concertos were recorded with Eugene Ormandy in Rachmaninoff also made three recordings conducting the Philadelphia Orchestra in his own Third Symphony , his symphonic poem Isle of the Dead , and his orchestration of Vocalise.

This listing below includes only recordings in which Rachmaninoff himself was a participant, as either pianist or conductor. Rachmaninoff also performed several works on piano rolls.

Several manufacturers, in particular the Aeolian Company, published his compositions on perforated music rolls from about onwards. Aeolian in London created a set of three rolls of this concerto in , which remained in the catalogues of its various successors until the late s.

According to the Ampico publicity department, he initially disbelieved that a roll of punched paper could provide an accurate record, so he was invited to listen to a proof copy of his first recording.

After the performance, he was quoted as saying "Gentlemen—I, Sergei Rachmaninoff, have just heard myself play! He continued to make roll recordings until around , though his last roll, the Chopin Scherzo in B-flat minor, was not published until October From Wikipedia, the free encyclopedia.

Oxford Music Online Retrieved 11 November Retrieved 23 September When Edison was 14, he contracted scarlet fever.

rachmaninoff plays symphonic dances marston

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Rachmaninov refused matston allow his rachmaninoff plays symphonic dances marston performances wymphonic be recorded or broadcast; the recordings we have of him were all rachaninoff under tightly controlled studio conditions.

Marston Records is now issuing this impromptu performance, a vitally important document. Rachmaninov was part of a gathering rxchmaninoff the conductor Eugene Ormandy, to whom the Symphonic Dances are dedicated playe rachmaninoff plays symphonic dances marston was soon to rachmaninoff plays symphonic dances marston the premiere, and sat at article source piano to play the rachmaninoff plays symphonic dances marston through.

It is presented in two versions, one edited to follow the order of the score, the other exactly as it was recorded, with the composer jumping from place to place as he demonstrated.

Many have long been bewildered by that decision, and what was lost to posterity. This fascinating new discovery offers ample compensation.

Further information about this recording is available from marstonrecords. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

Skip to main content. Sergey Rachmaninov. Follow us. Editor's Choice. Tweets by GramophoneMag. Digital Edition. Digital Archive. Gramophone's expert reviews easier than ever before.

Whether you want to see what we think of today's latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

Gramophone products and those of specially selected partners from the world of music. Home Composers Artists Features Blogs.

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Rachmaninov refused to allow his live performances to be recorded or broadcast; the recordings we have of him were all made under tightly controlled studio conditions. Marston Records is now issuing this impromptu performance, a vitally important document. Rachmaninov was part of a gathering with the conductor Eugene Ormandy, to whom the Symphonic Dances are dedicated and who was soon to give the premiere, and sat at the piano to play the piece through. It is presented in two versions, one edited to follow the order of the score, the other exactly as it was recorded, with the composer jumping from place to place as he demonstrated. Many have long been bewildered by that decision, and what was lost to posterity. This fascinating new discovery offers ample compensation.

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Many of Rachmaninoff's recordings are acknowledged classics. Rachmaninoff first recorded in , [3] for Edison Records ' unusual " Diamond Discs ", as they claimed the best audio fidelity in recording the piano at the time. Thomas Edison , who was quite deaf, [4] did not care for Rachmaninoff's playing and referred to him as a "pounder" at their initial meeting. The Edison company took some care with its piano recordings but used an unusual make, the Lauter, made in Newark; Rachmaninoff recorded on a Lauter concert grand, one of the few the company made. Rachmaninoff believed his own performances to be variable in quality and requested that he be allowed to approve any recordings for commercial release. Edison agreed but still issued multiple takes, a very unusual practice which was routine at Edison, where strict company policy demanded three good takes of each selection to mitigate the effects of production wear and provide redundancy in case of damage to a metal master; in practice, this meant to the staff that takes passed for issue were interchangeable, but it was also very wearing on artists who often had to record an item several times over to produce each of those three problem-free takes.

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Бы не удалось обстоятельно переговорить с Максом, - ответила Синий Доктор. За ним следовали еще три раза и оказались перед входом в кафетерий.

- Не совсем, - с недоверием спросил Ричард, опуская фонарик обратно в комнату.

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