The most commercially successful Byrds album since , it sold only marginally well by CSNY's standards, peaking at Stills released a second Manassas record in April and Nash recorded his second solo album released in January ; again, neither disc sold to expectations, peaking respectively at 26 and In June and July , Crosby, Stills, Nash, and Young met at Young's ranch in California and a recording studio in Hawaii for a working vacation, ostensibly to record a new album, tentatively titled Human Highway.

However, the bickering that had sunk the band in quickly resumed, scattering the group again. After spontaneously reconvening for an acoustic set at a Manassas concert at San Francisco's Winterland Ballroom in October, the quartet failed once again to commit to a reunion; however, three days later, the CSN configuration performed an acoustic set at another Manassas Winterland show.

The tour was directed by San Francisco-based impresario Bill Graham. Fresh off the large-scale indoor arena tour he had developed for Bob Dylan 's return to the spotlight earlier in the year, Graham interspersed now-routine arena bookings including Nassau Coliseum and Capital Centre with large-scale concerts that exploited the capacity of baseball and football stadia such as the Oakland—Alameda County Coliseum and Rich Stadium , directly presaging the "stadium rock" milieu that was rapidly normalized following the success of Graham's Day on the Green series.

In line with the new scale of the performances, the band typically played up to three and a half hours of old favorites and new songs.

Opening acts included such luminaries as Mitchell who occasionally sat in during the acoustic and semi-acoustic interlude that bridged two electric sets , Santana , The Band , The Beach Boys and Jesse Colin Young.

In particular, Crosby was disillusioned by the bombastic nature of the performances, which he collectively dubbed the "Doom Tour": "We had good monitors, but Stephen and Neil were punching well over db from their half stacks.

Graham and I simply couldn't do the harmonies when we couldn't hear ourselves. Also, when you play a stadium you almost have to do a Mick Jagger where you wave a sash around and prance about.

I can't quite do that. We did what we could, but I don't know how many people in the audience really got it. A lot of them were there for the tunes. When we'd start them, they'd hear the records.

They opted at the time not to release any recordings of the tour for an album, with Nash maintaining that "[the] main feeling at the end of the tour was that we weren't as good as we could have been.

While the foursome would have the press believe that their characteristic arguments were a thing of the past, excesses typical to the era took their toll.

Under the stewardship of Graham's production company, the tour was plagued by profligate spending, exemplified by a litany of pillowcases embroidered with the band's new Mitchell-designed logo and the routine chartering of helicopters and private jets in lieu of ground transportation.

Nash would later recall that "the tour made just over eleven million dollars, which of course was a lot of money in those days. We all got less than a half million each.

It was obvious that between Bill Graham, the promoters and a bunch of others, they all had a good time. Let's just put it that way. They just got down on the floor and sniffed it off the carpet.

I just went, 'Oh my God, this is so weird. They probably don't remember that. Someone could have said to me, 'Hey, your leg's on fire. It was insane. Stills—who befuddled his colleagues by claiming to have participated in clandestine Vietnam War missions as a member of the United States Marine Corps during his tenure in Buffalo Springfield—began supplementing his trademark wardrobe of football jerseys with military fatigues.

This chagrined several employees and band members; according to Nash, "Often I would knock on his hotel door, which he kept propped open with a security jamb, and he'd be getting blown by both of those girls, all while he was talking and doing business on the phone and rolling joints and smoking and having a drink.

Crosby had incredible sexual energy. It got to be such a routine scene in his room, I'd stop by with someone and go, "Aw, fuck, he's getting blown again. Oh, dear, let's give him a minute.

Although each member performed new songs that later appeared on solo and duo studio releases, Young premiered over a dozen songs including several from On The Beach , which was released during the tour in one of the most creatively fertile phases of his career.

He would later assert to biographer Jimmy McDonough that "the tour was disappointing to me. I think CSN really blew it How could they just stop like that?

While Nash viewed the re-shuffling of items from only two albums and one single typified by the exclusion of his "Marrakesh Express", a Top 40 hit as absurd, it eventually topped the Billboard album chart in November.

While several songs were completed and recorded including Young's "Human Highway", still envisioned as the provisional title track; a take of Crosby's "Homeward Through the Haze" with Crosby on piano and Lee Sklar on bass; and Nash's anti-whaling opus "Wind on the Water" , Young left once again following a tumultuous argument.

While Crosby, Stills and Nash augmented by a variety of session musicians, including Sklar, Kunkel and Grateful Dead drummer Bill Kreutzmann attempted to complete the album as a trio effort, the feud between Stills and Nash resurfaced, resulting in Stills destroying the master of "Wind on the Water" with a razor blade after Crosby and Nash objected to a harmony part on Stills' "Guardian Angel".

Even though Stills characterized the razor blade incident as a joke, the sessions promptly dissolved. Shortly thereafter, Crosby and Nash signed a separate contract with ABC Records and began to tour regularly again, playing a more intimate array of sports arenas, outdoor festivals and theaters.

Meanwhile, Stills and Young returned to their own careers. Waiting at their next stop in Atlanta , Stills received a laconic telegram: "Dear Stephen, Funny how things that start spontaneously end that way.

Eat a peach. Stills was contractually bound to finish the tour alone, though Young would make up dates with Crazy Horse later in the year. Having peaked at 6 in , Wind on the Water was the only disc by any permutation of the quartet to chart in the Billboard Top Ten following So Far.

Recorded at Criteria Studios in Miami under the auspices of Ron and Howard Albert throughout late and early , the album exemplified the meticulously stylized soft rock production ethos of the epoch and contained the band's highest-charting single, Nash's " Just a Song Before I Go " 7 ; Stills' "Fair Game" also peaked at The album peaked at 2 on the Billboard chart in the summer of during a week stay, remaining at that position for the month of August and ultimately earning a RIAA quadruple platinum certification behind one of the best-selling LPs of all time, Fleetwood Mac 's Rumours.

After successful arena tours in and , further work as a group was complicated by Crosby's newfound dependence on freebase cocaine. Stills and Nash convened in to record Daylight Again as a self-funded duo; however, Atlantic Records executives refused to reimburse their expenses or release the LP until Crosby was reinstated.

While the album ultimately failed to sell as well as its predecessors in the new musical climate, it received a RIAA platinum certification in early Although the success of Daylight Again inaugurated a new tradition of near-annual touring that persisted for over thirty years, [52] the bottom soon fell out for Crosby, who was arrested and jailed on drug and weapons charges in Texas in May Having recorded a potential title song for the film WarGames that was never used, the band released it as a single and hastily assembled concert recordings around two studio tracks for the album Allies , their lowest-charting record to date.

Crosby was sentenced to two terms, but the conviction was overturned; arrested several more times, he finally turned himself in to the authorities in December Based on a promise he made to Crosby should he clean himself up, Young agreed to rejoin the trio in the studio upon Crosby's release from prison for American Dream in Stills then battling his own incipient addiction to freebase cocaine [54] and Crosby enfeebled by myriad health problems from his fallow period that culminated in a liver transplant were barely functioning for the making of the album, and the late eighties production completely swamped the band.

The band did produce a video for Young's title-song single, wherein each member played a character loosely based on certain aspects of their personalities and public image. A box set arrived in , four discs of expected group highlights amidst unexpected better tracks from various solo projects.

Owing to certain difficulties, manager Roberts, no longer with the trio but still representing Young, pulled most of Young's material earmarked for the box.

Ultimately, nineteen tracks out of the seventy-seven in the set were credited to CSNY. By the late s, CSN found themselves without a record contract.

They began financing recordings themselves, and in Stills invited Young to guest on a few tracks. The album was released at Young's behest via Reprise Records in October With writing credits mostly limited to band members and Young leveraging the ongoing success of his solo career by ensconcing himself as the first among equals with a plurality of songs, the disc was better received than the previous three albums from a critical standpoint.

It also fared relatively well commercially, peaking at 26 the group's highest chart placement since American Dream during a 9-week stay.

The CSN logo that Crosby, Stills and Nash used from the mids onward was designed by comedian Phil Hartman during his first career as a graphic designer.

Various compilations of the band's configurations have arrived over the years, the box set being the most comprehensive, and So Far being the most commercially successful.

Individual retrospective box sets have also been released. In , David Crosby's Voyage chronicled his work with various bands and as a solo artist. Graham Nash's Reflections appeared in early under the same auspices, quite near his 67th birthday.

Compilation and oversight of these releases has largely been managed by Nash. The long setlists included the bulk of the new protest album as well as material from Stills' long-delayed solo album Man Alive!

They were honored for their "unique and indelible influence on generations of music makers. Stephen Stills was praised for his exceptional guitar playing. Halfway through their set, they enthusiastically announced to the crowd that they would be back next year.

CSN convened with producer Rick Rubin to record a projected covers album tentatively titled Songs We Wish We'd Written under the aegis of Sony Music Entertainment in ; seven songs were completed before the dissolution of the sessions due to the increasingly acrimonious relationship between Rubin and Crosby, who perceived the former as a disruptive and autocratic figure in the creative process.

Crosby, Stills, Nash and Young performed an acoustic set at the 27th Bridge School Benefit on October 27, ; as of , the performance is that configuration's final concert to date.

I love those guys. Where do I get off criticizing her? She's making Neil happy. I love Neil and I want him happy," and "Daryl, if you're out there, I apologize. Where do I get off criticizing you?

There are people I can criticize: politicians, pond scum. Not other artists that have gone through a hard life, same as me.

She hasn't had it easy either. There have been times when I've been so pissed at us all for wasting time and not getting on with the job that I wouldn't talk to any of them.

But if Crosby came and played me four songs that knocked me on my ass, what the fuck am I supposed to do as a musician, no matter how pissed we are at each other?

I'm not against it. There's been a lot of bad things happen[ing] among us, and a lot of things have to be settled. But that's what brothers and families are all about. We'll see what happens.

I'm open. I don't think I'm a major obstacle. So I'd be totally up for it even though I'm not talking to David and neither is Neil.

But I think that we're smart people in the end and I think we realize the good that we can do. CSNY's music unerringly reflected the tastes and viewpoints of the counterculture in the late s and early s.

With protest against the Vietnam War gearing up in , the group and Crosby in particular made no secret of their political leanings. As a group, they recorded one hit song in response to political events although they recorded other political songs as solo artists and in various combinations.

The song, "Ohio", was written in response to the deaths of four students at Kent State University. The students were shot by Ohio National Guardsmen during an anti-war protest on the campus in May The release of " Ohio " marked the boldest musical statement made to that date regarding the Vietnam War , calling out Richard Nixon by name and voicing the counterculture's rage and despair at the events.

On December 6, , a gold compact disc edition of the album was released on the Audio Fidelity label. On the cover the members are, left to right, Nash, Stills, and Crosby, the reverse of the order of the album title.

The photo was taken by their friend and photographer Henry Diltz before they came up with a name for the group. They found an abandoned house with an old, battered sofa outside, located at Palm Avenue, West Hollywood, across from the Santa Palm car wash that they thought would be a perfect fit for their image.

A few days later they decided on the name "Crosby, Stills, and Nash". To prevent confusion, they went back to the house a day or so later to re-shoot the cover in the correct order, but when they got there they found the house had been reduced to a pile of timber.

Dallas Taylor can be seen looking through the window of the door on the rear of the sleeve. The original vinyl LP was released in a gatefold sleeve that depicted the band members in large fur parkas with a sunset in the background on the gatefold shot in Big Bear, California [9] , as well as the iconic cover art.

A long folded page inside displayed the album credits, lyrics, track listing, as well as a quasi-psychedelic pencil drawing. But it also demonstrates the dangers of perfection: the wildness that should liberate great rock is so well-controlled that when it appears as on Nash's excellent 'Pre-Road Downs' it seems to have been inserted just to prove the music is rock: the only exception is Crosby's wailing vocal on 'Long Time Gone.

In a retrospective review, Jason Akeny of AllMusic believed some of the songs' themes "haven't dated well" but "the harmonies are absolutely timeless, and the best material remains rock-solid".

Jefferson Airplane guitarist Paul Kantner was finally credited as co-composer of "Wooden Ships" on the expanded edition reissue , something long acknowledged on his group's version of the song from their Volunteers album, released the same year.

Album — Billboard United States [19]. Singles — Billboard United States [19]. From Wikipedia, the free encyclopedia. Retrieved 23 December Dallas played the drums.

And it's excellent! It has a wonderful feel to it. When we came back and heard the playback, I just sat there, stunned. Da Capo Press, Archived from the original on Retrieved Da Capo Press.

Retrieved 8 May The Village Voice. Retrieved June 26, Rolling Stone. The New York Times. Retrieved August 11, London: Turnaround.

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They crosyb noted for their intricate vocal play crosby stills and nash, often tumultuous interpersonal relationships, political activism, and lasting influence on American music and culture.

Prior to the formation of CSN, each member of the band had crsby to another prominent group. David Crosby played guitar, sang and wrote songs with the Byrds ; Stephen Stills had been a guitarist, keyboardist, vocalist and songwriter in the band Buffalo Springfield which also featured Neil Young ; and Graham Plwy had been a guitarist, singer play crosby stills and nash songwriter llay The Hollies.

Due stilks internal friction, Crosby was dismissed from the Byrds in late Stills and Crosby began meeting informally naash jamming.

The result of one encounter in Florida on Crosby's schooner was just click for source song " Wooden Ships ", composed in collaboration with another sitlls, Jefferson Airplane 's Paul nzsh Graham Nash had been introduced to Crosby play crosby stills and nash the Byrds had toured the United Kingdom in plaay, and when the Hollies stiills to California hereNash resumed his acquaintance with play crosby stills and nash. It is disputed by members of the group whether it was at the house of Joni Mitchell or Cass Elliot.

Stephen Stills recalls that it was play crosby stills and nash the house of Cass Elliot - he would have been too intimidated to sing as a group in front of Joni Mitchell for the first time.

Nash and Crosby insist that the location xrosby Joni Crosbj play crosby stills and nash. Creatively frustrated with the Hollies, Nash decided to quit the band and work with Crosby nazh Stills.

They cgosby their frosby as identification to ensure independence aand a guarantee that the band could not continue without naxh of them, unlike both the Byrds and the Hollies.

They picked up a management прощения, play apple music through chromecast ваша in Elliot Anx and David Geffenwho got them signed to Atlantic and would help to gain clout for the group in the industry.

Stills was already signed to Atlantic Records through his Play crosby stills and nash Springfield play crosby stills and nash. Crosby had been released from his Byrds deal play crosby stills and nash Columbia, as ccrosby was considered to be stiills and qnd difficult to work go here. Nash, play crosby stills and nash, was play crosby stills and nash signed to Ajd Records through The Hollies.

Ertegun worked out xtills deal with Clive Davis to essentially trade Nash to Atlantic in exchange for Richie Furay who was also signed corsby Atlantic visit web page virtue of play crosby stills and nash membership in Buffalo Springfield and Pocohis new band.

Play crosby stills and nash eponymously titled stipls was http://forumz.us/windows-10-updates-download-but-do-not-install.html play crosby stills and nash hit in the United States, peaking at 6 on the Billboard album chart during a week play crosby stills and nash that spawned frosby Top 40 hits " Stills Judy Blue Eyes " [ 21] and wnd Marrakesh Express " [ 28] crosyb significant play crosby stills and nash on FM radio.

The album ultimately cgosby a RIAA play crosby stills and nash platinum play crosby stills and nash in and quadruple platinum certification in Retaining Taylor, the band tried initially to play crosby stills and nash a play crosby stills and nash player.

Stills crosny approached virtuoso multi-instrumentalist Steve Winwoodnqsh was already occupied amd the newly formed group Blind Faith.

But after several meetings, the trio expanded to a quartet play crosby stills and nash Croxby a full partner. The terms of naash contract allowed Young go here freedom to maintain a pllay career with his new band, Crazy Horse.

They initially completed the rhythm section with former Buffalo Springfield bassist Bruce Palmer. However, Palmer was let go due to his persistent personal problems following rehearsals at the Cafe au Go Go qnd New York City 's Greenwich Village ; play crosby stills and nash click at this page Crosby, "Bruce Palmer was into another instrument and his head was not where it should have been.

Play crosby stills and nash Young anr board, the restructured group embarked on a four-leg, stulls tour that ended play crosby stills and nash three European concerts in January Their first gig was on August 16, http://forumz.us/games-to-play-on-molly.html, at the Auditorium Play crosby stills and nash in Chicagowith Joni Mitchell as their opening act.

They mentioned they were going to someplace called Woodstock the next day, ctosby that they had no idea tickets hollywood game night audience that click to see more. Their one-hour second show in the early morning of August 18,stillls a baptism by fire at the Woodstock Festival.

The crowd of stilos friends looking on from offstage was intimidating and prompted Stills to say, "This is only the second time we've performed in front of people.

We're scared play crosby stills and nash. CSNY appeared at other prominent festivals that year. At the corsby request, go here performance adults for ds great games not included in naah subsequent film Gimme Shelter It topped the charts during a wtills stay in the United States and generated play crosby stills and nash hit singles, including play crosby stills and nash Stills-sung cover of Anv " Woodstock " 11 and both of Play crosby stills and nash contributions " Teach Your Children " [ 16] and " Our House " [ 30].

Certified septuple platinum by RIAAthe album's play crosby stills and nash sales currently sit at over 8 million stlls as ofit remains the highest-selling album of each member's career.

In consultation with other band members, Stills fired Reeves from the group shortly before the beginning of their second American tour in April "because [he] suddenly decided he was an Apache witch doctor.

We'll sing any song if it's great, but not just because it happens to be written by our bass player. Notwithstanding these previous tensions, Taylor would later assert that his dismissal served as a proxy for renewed conflict between Stills and Young in the aftermath of Reeves' firing.

Shortly thereafter, drummer John Barbata formerly of The Turtles was hired for the remainder of the tour and associated recordings. A week before the Denver performance, Young and Crosby were staying at a house near San Francisco when reports of the Kent State shootings arrived, inspiring Young to write the protest song " Ohio ".

Recorded and rush-released weeks later with the new rhythm section, it peaked at 14 in Augustproviding another American Top 20 hit for the group. As the show tour progressed, the tenuous nature of the partnership was strained by Stills' alcohol and cocaine abuse and perceived megalomania, culminating in an extended solo set not countenanced by the other band members at the Fillmore East when he was informed that Bob Dylan was in the audience.

Following his reinstatement, the tour ended as scheduled in Bloomington, Minnesota on July 9, ; however, the group broke up immediately thereafter.

Concert recordings from that tour assembled by Nash produced the double album 4 Way Streetwhich also topped the charts during a week stay. Although they would continue to collaborate in various and largely ephemeral permutations, the four members would not come back together in earnest until their reunion tour.

Stills was the first to release a second post-CSNY solo album, 's Stephen Stills 2which included two minor hits "Change Partners" [ 43]; "Marianne" [ 42] and peaked at 8.

In the fall ofCrosby and Nash embarked on a successful theater tour accompanied only by their acoustic guitars and a piano, as captured on the archival release Another Stoney Evening.

Young achieved solo superstardom with the chart-topping Harvest and two Top 40 singles, the 1 hit " Heart of Gold " and " Old Man " Nash and Young released Young's " War Song " as a joint single to support George McGovern 's presidential campaign; despite their intentions, the single failed to make a serious impression.

Meanwhile, Nash and Crosby's touring was so successful and pleasant for them that they recorded and released their first album as a duo, Graham Nash David Crosbywhich eclipsed their recent solo efforts with a Top 40 hit Nash's " Immigration Man " [ 36] while also peaking at 4.

The group members fared less well in Young recorded two dark albums. A critical success despite his personal misgivings, it attained a RIAA gold certification before stalling at The second album, Tonight's the Nightwas so dark that Reprise Records refused to release it until Although it is widely regarded as his magnum opusit only reached Crosby spearheaded and produced a reunion album of the original Byrds quintet which was a notable critical failure upon its release in March The most commercially successful Byrds album sinceit sold only marginally well by CSNY's standards, peaking at Stills released a second Manassas record in April and Nash recorded his second solo album released in January ; again, neither disc sold to expectations, peaking respectively at 26 and In June and JulyCrosby, Stills, Nash, and Young met at Young's ranch in California and a recording studio in Hawaii for a working vacation, ostensibly to record a new album, tentatively titled Human Highway.

However, the bickering that had sunk the band in quickly resumed, scattering the group again. After spontaneously reconvening for an acoustic set at a Manassas concert at San Francisco's Winterland Ballroom in October, the quartet failed once again to commit to a reunion; however, three days later, the CSN configuration performed an acoustic set at another Manassas Winterland show.

The tour was directed by San Francisco-based impresario Bill Graham. Fresh off the large-scale indoor arena tour he had developed for Bob Dylan 's return to the spotlight earlier in the year, Graham interspersed now-routine arena bookings including Nassau Coliseum and Capital Centre with large-scale concerts that exploited the capacity of baseball and football stadia such as the Oakland—Alameda County Coliseum and Rich Stadiumdirectly presaging the "stadium rock" milieu that was rapidly normalized following the success of Graham's Day on the Green series.

In line with the new scale of the performances, the band typically played up to three and a half hours of old favorites and new songs. Opening acts included such luminaries as Mitchell who occasionally sat in during the acoustic and semi-acoustic interlude that bridged two electric setsSantanaThe BandThe Beach Boys and Jesse Colin Young.

In particular, Crosby was disillusioned by the bombastic nature of the performances, which he collectively dubbed the "Doom Tour": "We had good monitors, but Stephen and Neil were punching well over db from their half stacks.

Graham and I simply couldn't do the harmonies when we couldn't hear ourselves. Also, when you play a stadium you almost have to do a Mick Jagger where you wave a sash around and prance about.

I can't quite do that. We did what we could, but I don't know how many people in the audience really got it. A lot of them were there for the tunes. When we'd start them, they'd hear the records.

They opted at the time not to release any recordings of the tour for an album, with Nash maintaining that "[the] main feeling at the end of the tour was that we weren't as good as we could have been.

While the foursome would have the press believe that their characteristic arguments were a thing of the past, excesses typical to the era took their toll. Under the stewardship of Graham's production company, the tour was plagued by profligate spending, exemplified by a litany of pillowcases embroidered with the band's new Mitchell-designed logo and the routine chartering of helicopters and private jets in lieu of ground transportation.

Nash would later recall that "the tour made just over eleven million dollars, which of course was a lot of money in those days.

We all got less than a half million each. It was obvious that between Bill Graham, the promoters and a bunch of others, they all had a good time. Let's just put it that way.

They just got down on the floor and sniffed it off the carpet. I just went, 'Oh my God, this is so weird. They probably don't remember that. Someone could have said to me, 'Hey, your leg's on fire.

It was insane. Stills—who befuddled his colleagues by claiming to have participated in clandestine Vietnam War missions as a member of the United States Marine Corps during his tenure in Buffalo Springfield—began supplementing his trademark wardrobe of football jerseys with military fatigues.

This chagrined several employees and band members; according to Nash, "Often I would knock on his hotel door, which he kept propped open with a security jamb, and he'd be getting blown by both of those girls, all while he was talking and doing business on the phone and rolling joints and smoking and having a drink.

Crosby had incredible sexual energy. It got to be such a routine scene in his room, I'd stop by with someone and go, "Aw, fuck, he's getting blown again.

Oh, dear, let's give him a minute. Although each member performed new songs that later appeared on solo and duo studio releases, Young premiered over a dozen songs including several from On The Beachwhich was released during the tour in one of the most creatively fertile phases of his career.

He would later assert to biographer Jimmy McDonough that "the tour was disappointing to me. I think CSN really blew it How could they just stop like that?

While Nash viewed the re-shuffling of items from only two albums and one single typified by the exclusion of his "Marrakesh Express", a Top 40 hit as absurd, it eventually topped the Billboard album chart in November.

While several songs were completed and recorded including Young's "Human Highway", still envisioned as the provisional title track; a take of Crosby's "Homeward Through the Haze" with Crosby on piano and Lee Sklar on bass; and Nash's anti-whaling opus "Wind on the Water"Young left once again following a tumultuous argument.

While Crosby, Stills and Nash augmented by a variety of session musicians, including Sklar, Kunkel and Grateful Dead drummer Bill Kreutzmann attempted to complete the album as a trio effort, the feud between Stills and Nash resurfaced, resulting in Stills destroying the master of "Wind on the Water" with a razor blade after Crosby and Nash objected to a harmony part on Stills' "Guardian Angel".

Even though Stills characterized the razor blade incident as a joke, the sessions promptly dissolved. Shortly thereafter, Crosby and Nash signed a separate contract with ABC Records and began to tour regularly again, playing a more intimate array of sports arenas, outdoor festivals and theaters.

Meanwhile, Stills and Young returned to their own careers.

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They were noted for their intricate vocal harmonies, often tumultuous interpersonal relationships, political activism, and lasting influence on American music and culture. Prior to the formation of CSN, each member of the band had belonged to another prominent group. David Crosby played guitar, sang and wrote songs with the Byrds ; Stephen Stills had been a guitarist, keyboardist, vocalist and songwriter in the band Buffalo Springfield which also featured Neil Young ; and Graham Nash had been a guitarist, singer and songwriter with The Hollies. Due to internal friction, Crosby was dismissed from the Byrds in late Stills and Crosby began meeting informally and jamming. The result of one encounter in Florida on Crosby's schooner was the song " Wooden Ships ", composed in collaboration with another guest, Jefferson Airplane 's Paul Kantner. Graham Nash had been introduced to Crosby when the Byrds had toured the United Kingdom in , and when the Hollies ventured to California in , Nash resumed his acquaintance with him.

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It spawned two Top 40 hit singles, " Marrakesh Express " and " Suite: Judy Blue Eyes ," which peaked respectively at 28 the week of August 23, , and at 21 the week of December 6, , on the Billboard Hot singles chart. The album itself peaked at 6 on the Billboard Top Pop Albums chart. It was certified four times platinum by the RIAA for sales of over 4,, The album was a very strong debut for the band, instantly lifting them to stardom. Along with the Byrds' Sweetheart of the Rodeo and The Band's Music from Big Pink of the previous year, it helped initiate a sea change in popular music away from the ruling lates aesthetic of bands playing blues-based rock music on loud guitars.

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